Welcome to 2019! Thanks so much for joining me so soon in the New Year. I hope you’ve had a fab Summer and are ready to face an exciting and productive year of writing. So, last month we looked at what YOU wanted to know, and in this, my first post for 2019, I’d love to continue with more of the same.
How to set up a Weebly website in 4 easy lessons
Presented by Sara Hood Course Dates: 4 February — 3 March 2019 Cost: RWA Member—$55. Non-RWA Member—$88. Venue: Facebook Booking link: www.trybooking.com/ZOIH About the course… As writers, we need to have a website. It doesn’t need to be complex, but it does need to exist. How do we do that with limited resources, both financial and time? Easy! Weebly. A simple, drag and drop online website builder and host that requires minimal technical knowledge to set up. And I do mean minimal. If you can fill your car with petrol, you can make a Weebly website. This course will show …
OWL: Edit Your Own Romance Novel
Presented by Ebony McKenna Course Dates: 4 February — 3 March 2019Cost: RWA Member—$55. Non-RWA Member—$88.Venue: Online – RWA Moodle PlatformBooking link: www.trybooking.com/ZOEH About the course… In the dark about editing? Let Ebony McKenna show you how to edit your own romance manuscript and deliver a great story for your readers, with this intensive online course. These are the same techniques she used for her self-published novel, The Girl & The Ghost, and it won the RuBY! The course will run for four weeks. Lesson material will be made available on Moodle at the start of each week in the …
Cover Crush | December/January
Twelve months has come and gone since I began this blog and it has given me such an insight into the importance of visually appealing covers for our great work. A series of unexpected end-of-year events has meant this month will feature both December and January’s Cover Crush nominations.
Volunteer of the Month | Kristine Charles
An avid reader since before she could walk, Kristine Charles loves telling fairytales. Sure, they started out as stories of gnomes and elves and pixies, but now they’ve morphed into tales of contemporary romance in which successful women live the ups and downs of their lives, and generally find a fabulous man (or two!) along the way. When she’s not writing you can find Kristine working (in employee relations) or managing the RWA Ripping Start contest. She’ll usually have coffee, wine, or whisky by her side. And chocolate. Lots of chocolate. She also loves talking to newbie authors, paying forward …
Member New Releases | January 2019
Member New Releases | January 2019
The Tasting Table | An intimate table for two
With the celebrations and family gatherings and cooking and socialising of Christmas behind us, the idea of a small and intimate Tasting Table appealed. New Year’s Eve is almost here, the perfect time to look back, but also forward.
Just a Love Story | Lyn and Dave
Part 2: **Trigger warning: Domestic violence **
Kiss and Tell | Daniel de Lorne
Globe-trotting author, Daniel de Lorne, takes languages and writing to the next level. Not only is he an author of six romance novels, he also knows Australian sign language, Italian, French and Spanish. A keen traveller, Daniel uses a laptop for most of his writing. He crafts his tales of ruin, romance and redemption in his favourite armchair in the living room of his Perth home, and writes outside under the verandah when the weather is nice. As well as writing gay romance, Daniel’s day job entails many hours at the computer, crafting yet more words on an entirely different …
2019 RUBY CONTEST RULES & CONDITIONS
Romance Writers of Australia Inc is proud to present… The Romantic Book of the Year Awards 2019 RULES and CONDITIONS RWA Inc. reserves the right at any time to reject entries that do not comply with these conditions. The contest coordinator’s decision in this regard is final. The Ruby Award is for commercially available romance or romantic elements books of 10,000 words or more, first published between 1 January 2018 and 31 December 2018 inclusive. For the purposes of this contest, RWA deems ‘commercially available’ to mean: any work of fiction (or part of) that is (or has been at …